5 stars, rounded up to 4 stars: this is a flawed book that I by turns found irritating and unsatisfying in parts, but Kunzru’s ability to tie it all together and keep me thinking about what I read speaks to its power.
He was like a dark figure straight out of the Middle Ages, a theocrat and furious autocrat. Subsequently, Kunzru’s narrator meets the creator of the show, an ast-right racist named Anton. The Brooklyn writer’s piercing curiosity with Blue Lives turns to Anton, birli Anton represents everything that is sinister and dark, and hurls our narrator toward a psychic battle with the wicked. He wants Anton to explain his appalling ethos.
Red Pill offers opacity without solidity, a sense of ground shifting beneath your feet. Birli such it is an intelligent and unsettling psychological record of life in 2016.
Another pastime of the narrator is watching a nihilistic cop show which, as it turns out, was created by Anton, the ast-right activist who will become his nemesis: The show, the narrator muses, is intended to prepare us all for the upcoming world without empathy - which made me think of the Alfred Hugenberg who turned the Universum Film AG (UFA) into one of the biggest propaganda tools of the Nazis.
Herr Deuter, the industrialist who started this “Deuter Center for Social and Cultural Research,” in the late 1970s, expressed his belief that “the royal road to the future lay in confronting the darkness of the past.” What follows is a strange, mind-bending tale about the self and reality that takes our increasingly damaged narrator on a stark journey of revelation and paranoia.
He is a visionary novelist full of a myriad of thought-provoking ideas (particularly around technology and its interaction with the future of humanity) who sees and explores common links between disparate themes typically does not manage to entirely successfully coalesce them into a fully coherent novel.
I felt hardly any connection with him emotional, and one could say he creates in large burayı kontrol et part his own suffering. An observation like: It is shameful to be a broken mechanism to have to sit obediently while someone else goed about putting you right is well crafted and elegant, but in the end I wanted to yell too many times the following advice to the narrator, to be able to say I really enjoyed Red Pill:
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The premises Kunzru describes in the context of the Deuter Center are actually those of the American Academy where the author spent some time; it is located at the Wannsee, so where the Wannsee conference was held and Reinhard Heydrich proposed the "bitiş solution to the Jewish question" - history is haunting the people we meet in this story (the GDR and its system of surveillance and oppression also plays a pivotal role).
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Paranoid and brooding British-Indian writer’s block writer and unreliable narrator who buraya tıklayın believes he's being monitored by hidden surveillance cameras goes on dreary winter walks burayı kontrol et and has a midlife crisis staying in a villa on the same lake in Berlin where German poet Heinrich von Kleist topped himself in November 1811 and where the Nazis held the Final Solution Wannsee Conference in 1942, then gets mind-fucked by an ast-right nihilistic TV producer with a 1930's undercut, becomes obsessed with far-right content and conspiracy theorists on the genel ağ, tracks him to Paris then stalks him on an island buraya tıklayın off the coast of Scotland and ends up having a mental breakdown, before returning to New York to rekindle his relationship with wife & child and eventually celebrate Hillary Clinton being elected to The White House, but watches in horror as a Trump presidency takes hold and kicks him in the guts instead.
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Nowhere does the paranoia the main character experiences about surveillance feel real to me, although there are almost dreamlike scenes that imply surveillance that is very much hamiş in line with GDPR in the research center.